Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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GUARDI, Gianantonio
Holy Family with St John the Baptist and St Catherine gu
GUARDI, Gianantonio5.jpg
ID: 07219

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GUARDI, Gianantonio Holy Family with St John the Baptist and St Catherine gu


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GUARDI, Gianantonio

Italian Rococo Era Painter, ca.1699-1761   Related Paintings of GUARDI, Gianantonio :. | The Departure of Tobias kj | The Angel Appears to Tobias df | Scene in a Harem | The Marriage of Tobias sdg | Holy Family with St John the Baptist and St Catherine gu |
Related Artists:
diane
comtesse de guiche, known as la belle corisande with her daughter 1580 collection duc de grammont
ABBATE, Niccolo dell
Italian Mannerist Painter, ca.1512-1571 Italian painter. He was trained in Modena and developed his mature style under the influence of his contemporaries Correggio and Parmigianino in Bologna (1544 ?C 52). There he painted portraits and decorated palaces with frescoes of landscapes and figure compositions in the Mannerist style. In 1552 he was invited by Henry II of France to work under Primaticcio at the Palace of Fontainebleau, where he executed immense murals (most now lost). He remained in France the rest of his life. His mythological landscapes were a principal source of the French Classical landscape tradition, and he was a precursor of Claude Lorrain and Nicolas Poussin.
CARIANI
Italian Painter, ca.1490-1547 was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. His father, also Giovanni Busi, was born in Fuipiano Valle Imagna and was appointed a local magistrate for the Venetian authorities. His son, probably born in Bergamo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his Sacra conversazione with a youthful donor. While working in Bergamo (1517-1523),






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